While most journalists are able to work remotely these days, such is not the case at the 136-year-old Philadelphia Tribune.
A summary of the Philadelphia news. This article can be updated at any time when new data becomes available.
If you know the city’s bloodhounds, chances are they’re running remotely in those days. Most of us at Philly Mag haven’t joined the workplace in months. Inquirer staff do not expect to show up at the workplace en masse until 2021. Simply turn on the local TV news and you’ll see a lot of informants broadcasting from their well-organized room. But things are very different in the Philadelphia Tribune, where journalists, editors, the devil, all the staff, they told me, were forced to return to the workplace amid the COVID-19 pandemic.
The obvious prohibition on running remotely is one of many “dangerous conditions” in the Philadelphia Tribune, according to an investigation conducted through District 1199C, the union representing the newspaper’s employees.
An internal union memorandum mentions dangerous conditions, including:
But it was this requirement that all painters come to the workplace in their general working hours that really caught my eye. The painters of the Philadelphia Tribune say it’s been going on since May. According to the union and the painters I spoke to, many staff members tried to circumvent this requirement by offering a medical note by requesting that they be allowed to remotely paint the pandemic. But neither the union nor the painters I spoke to were able to provide a bachelor case in which this request was fulfilled.
“That’s what happens when you have an owner who isn’t in the concept of ‘remote work,'” advised an employee of the Philadelphia Tribune, who spoke on condition of anonymity, referring to an 82-year-old newspaper. President and CEO Robert Bogle. “He needs everyone here. Every day. Without exception.”
I said, “Sir. Bogle is, has been and will be a user who believes he doesn’t paint if he can’t see it,” adds a Tribune veterinarian who also asked to remain anonymous.
Bogle did not personally respond to my calls to request a comment. Alonzo Kittrels, managing director of the Philadelphia Tribune, did it for him. After exposing the union and workers’ accusations, Kittrels stated that the paper did nothing more than the fact that the workers who spoke to me “violated the grievance process” by contacting the press at the time.
The newspaper, which is primarily aimed at a black audience, won a $5,000 micro-grant from the Local Media Association in April as a component of a Facebook-funded COVID-19 emergency aid program, said Jim Friedlich of the Lenfest Institute in Philadelphia for Journalisn. that helped Facebook oversee the grant program. Friedlich was unable to accurately verify how the cash would be spent or who had ordered it in the Philadelphia Tribune.
But the staff, who also didn’t know who had asked the newspaper for the money, insisted that the goal of the micro-subsidy was to buy Chromebooks so that painters could simply paint remotely if necessary. One staff member said the company had waited a month to order Chromebooks, and two staff members said none were distributed.
It should be noted that the vast majority of staff (some workers estimate the number at approximately 90%) of the Philadelphia Tribune is black, a population we all know is disproportionately affected by COVID-19.
I checked with the municipal and state government to see if this requirement to report to the workplace every day meets government guidelines. In fact, that’s not the case.
The city told employers that “remote paintings deserve to continue as much as possible.” And contemplating that the Inquirer can publish remote painters in a much larger newspaper, it would seem “feasible” for the Philadelphia Tribune to allow its painters, or at least many of them, to paint remotely. The city has also asked corporations to distribute the hours of painters who have to show up at the office, and the painters of the Philadelphia Tribune say that doesn’t happen.
With regard to the governor’s office, a spokesman had to tell me: “One of the mitigation measures announced on July 15 that, unless possible, all corporations must perform all or part of their operations remotely through their employees’ individual telecomaps. jurisdiction or jurisdictions in which they operate. For the media, this would mean that not everyone would want to be there.”
So what’s next for the Philadelphia Tribune? A hit?
“If we don’t get a reaction after lobbying on the property, we’re going to have to get our people out,” says Chris Woods, president of the union. “We will not allow our members to continue to be subjected to harmful pictorial environments. This is unacceptable and unfair.”
Remember Space Force, the new branch of the U.S. military created through Donald Trump in 2019?
Here’s the hiring announcement, in case you want a reminder:
Well, it turns out that the smart old Bensalem, the city just above the northeastern border of Philadelphia, can host a Space Force Command Center.
According to Chris O’Connell on Fox 29, bensalem Mayor and Tom Wolf have designated the municipality as one of the few spaces in the country to house the Space Force Command Centers. And Bensalem would have made the first circular of cuts.
If the Space Force were to build a command center in Bensalem, it needless to be said that it would be what Bensalem would have been known for. Good luck.
On Wednesday, the Philadelphia Art Commission voted as expected to remove the statue of Christopher Columbus from Marconi Plaza in South Philadelphia, two months after armed men were found to “protect” the statue of protesters. This 8-0 vote (a member of the committee abstained) followed a 10-2 vote through the local old commission last week in favor of the statue.
Then the statue will be removed, won’t it? Well, maybe. After the Arts Commission’s vote on Wednesday, a local ruling ordered a stay and the city is contemplating its legal options.
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