The exceptional mastery of the new architectural techniques of the thirteenth century and the harmonious combination of sculptural ornamentation and architecture have made Notre-Dame de Reims one of the masterpieces of Gothic art. The old abbey still retains its beautiful ninth-century nave, in which rest the remains of Archbishop St. Rémi (440-533), who instituted the Holy Unction of the Kings of France. The former archbishop’s palace known as Tau Palace, which played a vital role in devotional ceremonies, was almost completely rebuilt in the 17th century. .
The exceptional use of the new architectural techniques of the thirteenth century and the harmonious combination of sculpted ornaments with architectural elements have made the Cathedral of Notre-Dame de Reims one of the masterpieces of Gothic art. The ancient abbey, which has preserved a beautiful 11th-century nave, houses the remains of Archbishop Saint Rémi (440-533), who instituted the holy anointing of the kings of France. The Tau Palace, a former archbishop’s palace, which occupied a vital place in the rite of the sacred, was almost completely rebuilt in the seventeenth century.
13 世纪新建筑工艺的出色应用以及雕像装饰与建筑的完美结合，使兰斯圣母大教堂成了哥特式建筑的杰作之一。 修道院保留了9世纪的精美中殿，供奉着开启了法国国王 曾经在宗教仪式中具有举足轻重作用的前大主教宫殿——圣安东尼宫，已于17世纪进行了彻底重修。
Discover the use of new architectural projects and fresh architectural sculptures at Реймсе одним из шедевров готического искусства XIII в. Бывший монастырь, где покоятся останки Св. . Реми (440-533 гг. ) – skopa, учредившего священное помазание королей Франции, – сохранил свой великолепный неф IX в. Archbishops, who played a role in the ceremonies, were appointed priests in the 17th century.
The remarkable application of the new architectural techniques of the thirteenth century and the concord between sculptures and architectural elements made the Cathedral of Notre-Dame de Reims a pictorial master of Gothic art. The ancient abbey where the mortal remains of Saint-Remi (440-533), the archbishop who instituted the sacred ontion of the kings of France, were kept, preserves a beautiful nave from the eleventh century. The Tau Palace, apartment of the Archbishops of Reims and vital scene of the rite of the Royal Unction, completely rebuilt in the seventeenth century.
Notre-Dame de Reims is one of the most productive works of Gothic art, a vanwege de uitstekende that addresses the new architectural technologies of the thirteenth century and harmonizes between ornamental art and the architect. Le voormalige abdij van Saint-Remi heft nog zijn zijn mooie 9e-eeuwse ship, waarin de overblijfselen liggen van aartsbisschop Saint-Remi (440-533) die de Heilige Zalving van de koningen van Frankrijk heavily ingested. The Bischoppelijke voormalige Palace of Arts – like the Tau Palace – plays a vital role in the devout cult ceremonies established in the 17th century.
Brief Summary
Located in the Grand Est region, in the department of Marne, the Cathedral, the Palais du Tau and the Abbey of Saint-Rémi de Reims are strongly linked to the history of the French monarchy and therefore more to the history of France.
Notre-Dame Cathedral is a masterpiece of Gothic art: it bears witness to the remarkable mastery of the new architectural techniques acquired in the thirteenth century and achieves a harmonious combination of architecture with sculpted decoration. The perfection of the architectural and sculptural ensemble of the cathedral is so wonderful. which influenced many later buildings, especially in Germany. More than just decoration, the sculptures of Reims Cathedral are an integral component of the building’s architectural composition. Reflecting the traditions of Île-de-France and the minor arts of Champagne, those sculptures have a monumentality and grace fostered through the art of goldsmiths who worked with silver or gold. The smiling faces of the western façade, the beauty of the composition of the Coronation of the Virgin (above the central portal) or the tomb of the Aristocracy. of other figures such as Elizabeth in the scene of the Visitation have achieved universal fame. The original and balanced concord has been preserved, as well as the richness of the ornamentation, sculptures and stained glass windows, transparent testimony of the twenty-five royal coronations. that was positioned there.
The Tau Palace, adjacent to the cathedral, the former residence of the archbishop, preserves the memory of the coronation ceremony. The king, exercising his right of accommodation, prayed in the Palatine Chapel, slept in the palace and celebrated after his coronation in the banquet hall. The beautiful 13th-century Palatine Chapel and 15th-century banquet corridor have remained intact. The façade of the Palais du Tau has a beautiful 17th-century order and lately houses the Oeuvre Museum, where treasures and works of art are kept. They are displayed similar to coronation ceremonies.
The former Benedictine royal abbey of Saint-Rémi, founded in the 8th century, features majestic 18th-century architecture, with a broken space still home to Romanesque sculptures.
The abbey, a pilgrimage church built around the tomb of St. Remi, is an exceptional example of medieval architecture: it was the largest Romanesque building in northern France before being remodeled with impressive sobriety in the Gothic period. It was strongly related to the ritual of coronations: ceremonies began and ended at the abbey, the conservatory of the Holy Ampoule that contains the chrism dating from the baptism of Clovis through Bishop Rémi and which is used for the coronation of kings. The abbey is now a museum of the heritage and history of Reims and its region.
Criterion (i): The Cathedral of Notre-Dame de Reims is a masterpiece of Gothic art due to the exceptional mastery of the new architecture of the thirteenth century and the harmonious combination of architecture and sculpted ornamentation.
Criterion (ii): The perfection of the architecture and sculptural paintings of those buildings had an influence on later buildings in Europe.
Criterion (vi): The cathedral, the archbishop’s palace and the former abbey of Saint-Rémi are directly related to the history of the French monarchy and thus to the history of France. These places that intervene in the coronation rite are reminiscent of the balance between public authority and sacred service that has made French royalty a European-style policy.
Integrity
The Cathedral, the Palais du Tau and the Abbey of Saint-Rémi in Reims are coronation sites. Although parts of those buildings, which were severely damaged during World War I, have undergone extensive restoration, the geography and ritual of the coronation can be evoked or depicted. The sculptures and stained glass windows in the cathedral still bear witness to those celebrations. These buildings are part of the urban fabric of the marvellous medieval wall of the thirteenth century, on which the lines of the old road network are drawn. It can be distinguished. The alternation between post-war buildings reconstructed in an eclectic spirit, new buildings and restored old buildings characterises the territory surrounding these monuments.
Authenticity
The history of Notre-Dame de Reims Cathedral spans 8 centuries of technical and artistic innovations, from the 13th century to its recovery after World War I, which gave it a remarkable reinforced concrete structure. Although Reims Cathedral has lost some of its original stained glass color, it still retains some of the most notable examples of Gothic stained glass. For the preservation of this heritage, the State follows a dual policy of restoring stained glass windows and supporting their creation. Thus, some of those medieval stained glass windows have been restored to their former splendour and, at the same time, famous artists, such as Marc Chagall, have practiced their art in the cathedral.
The first episcopal palace, known as Tau Palace, played a pivotal role in devout ceremonies; it was almost completely rebuilt in the seventeenth century. By breaking the Holy Ampoule, the French Revolution disrupted the culture of coronations, which was revived for the last time with the coronation of Charles X in 1825. Successive restorations to this day have made it possible to implement technological inventions that respect the authenticity of buildings.
Protection and control requirements.
The 3 buildings that make up the heritage are covered by the Heritage Code (Historical Monuments).
Owned by the State, the Cathedral has been listed in its entirety as a Historical Monument since 1862 (Palais du Tau since 1886). It is legally attached to Catholic worship. The Tau Palace is controlled through the Centre of National Monuments, a public establishment under the supervision of the Ministry of Culture, which ensures that it is open to the public. Annual and multi-year programmes ensure the maintenance and recovery of monuments; they are applied directly through the State or are carried out under its clinical and technical control. The Abbey of Saint-Rémi is a heritage site of the city of Reims; its maintenance and recovery are the responsibility of the municipality under the clinical and technical control of the State. The remodelling of the esplanade is helping access and circulation around the monument.
The local urban plan, preserving the urban fabric and the cones of view of the cathedral, ensures that the close dating between the building and the city is preserved. The district of Saint-Rémi is a Notable Heritage Site whose objective is to cover the buildings and enhance the public space and monumental perspectives in an approach of cession and urban renewal. Another Remarkable Heritage Complex is being studied that will integrate the Cathedral neighbourhood and that will serve as the basis for the definition of a buffer zone. The Asset Management Plan is lately being prepared.
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