Jessica Steinberg covers Sabra level from south to north and back to downtown.
The sculpture is a component of a set of previous works on the disconnect between nature and the world, and the audience to see the lawn through work, Maor said.
Sigalit Landau used water meters to build “Falling Water”, a sculpture that refers to life, the rotating trend of water and water meters, in reference to Israel and its ongoing water problems.
Ella Littwitz has reused old football skins for a horizontal sculpture that adapts to the floor and site, while Maya Dunietz and Yehudit Sasportas have created sound installations that can be heard in some garden spaces, creating “sculptures in space,” Maor said.
“This provides a conceptual horizon for sculpture,” he says. There is the tension of vertical sculptures, and you expect to see anything that starts on the ground and rises. “
The end result is as smart as any pleasure you may have in a museum, Maor said, noting that this is the first time she has organized an exhibition in nature.
“We hope that the Israelis, the other people of Jerusalem and the art network will come and see this because they know the area and what to expect in the gardens,” Rendell said. “It’s a possibility to take a walk, the park and see something new. “