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In Chinese and Taiwanese culture, it involves sending the deceased with a well-attended funeral procession, filled with pomp for deities and mortals. Many other people hire “Electric Flower Cars,” trucks that serve as a moving point for performers, even poles. Dancers are not uncommon. Fifty jeeps carrying pole dancers took part in the funeral procession of a Taiwanese politician who died in 2017.
Although pole dancing is a more recent phenomenon, Taiwan’s funerals and devotional processions have long featured women and young people, as well as grieving and grieving women. Scholars such as anthropologist Chang Hsun recommend that a mixture of those traditions led to the inclusion of women dancing and singing in some fashionable funeral processions.
By the 1980s, light clothing was an integral component of Taiwanese rural funeral culture. In 2011, anthropologist Marc L. Moskowitz produced a short documentary called “Dancing for the Dead: Funeral Strippers in Taiwan” about the phenomenon.
Funerary representations testify to ordinary freedom and innovation; It features Taiwanese drummers, marching bands and opera singers. Paper items are burned in the shape of objects that the deceased must use in the afterlife, from microwaves to cars. Similarly, specially published money, called “ghost money,” is burned. to provide a quote to the decedent.
In Tibet, Buddhists believe that the life power of a deceased user remains in the frame for 49 days. During this time, the deceased receives orders from the priests to help him face the adventure that awaits him.
This adventure to the next level of being comes up with a number of possible options that will encompass the realm of your rebirth: adding rebirth as an animal, a hungry ghost, a deity, being in hell, some other human being, or immediate enlightenment.
The priests whisper commands in the ear of the deceased, who must listen as long as he maintains his vital energy. Being told what to expect after death allows the user to face death with serenity.
The orders given to the dead are described in a sacred text called “Bardo Thodol,” translated into English as “The Tibetan Book of the Dead. “”Bardo” is the Tibetan term for an intermediate or intermediate state; One can simply think of the Bard of Death as an exercise that stops at various destinations, opening the doors and giving the passenger a chance to depart.
Tibetan Buddhists claim that such commands allow the deceased to make possible intelligent choices in the 49 days between death and the next life. Different realms of rebirth will appear to the user, taking the form of colored lights. Depending on the karma of the deceased, some realms will seem more attractive than others. The user is told not to be afraid: to let themselves be dragged into the higher realms, even if they seem terrifying.
Several days before the funeral, the deceased is visited by friends, family, and well-wishers, who must work through their grief while assisting the deceased on their autopsy journey.
This article is republished through The Conversation, an independent, nonprofit news organization that brings you data and research to make sense of our complex world.
Written by: Liz Wilson, University of Miami.
Learn more:
Why People Need Rituals, Especially in Uncertain Times
What the Greek Classics Tell Us About Mourning and the Importance of Grieving the Dead