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WASHINGTON — Raised on welfare through his grandmother, Joseph Sais relied so heavily on food stamps as a student that he thought about dropping out of school when his eligibility was revoked.
Amid the COVID-19 pandemic, Sais said, he missed an “important letter” and temporarily lost his eligibility for SNAP, the foundational anti-poverty program commonly known as food stamps. “There were times when I would take a check and instead of focusing on the check, I would focus on what I was going to eat tonight,” said Sais, who graduated from California State University, Sacramento with a bachelor’s degree in political science and journalism and is now a freshman graduate student at the same school.
Sais, whose eligibility was reinstated earlier this year, is part of a largely hidden organization that researchers and policymakers still seek to address: full-time students suffering from severe food insecurity. Radha Muthiah, president of Capital Area Food Bank, calls it a hidden crisis, “one of the upheavals that emerged from the shadows of the pandemic. “She estimates that at least 30% of students are food insecure.
The U. S. Department of Agriculture The U. S. Department of Education has eased SNAP eligibility requirements for students during the pandemic, allowing those receiving cash aid without expected family aid and anyone to qualify for work-study programs, regardless of hours worked. Researchers estimate that up to 3 million students have been added to the program as a result.
But with the end of the public fitness emergency, scholars who were already receiving SNAP benefits had until June 30 to recertify and remain in the program in accordance with pandemic-era regulations.
“Over the next two months, thousands of academics could potentially lose out from this program,” said MacGregor Obergfell, deputy director of government affairs for the Association of Public Universities and Land Grants. “It will be carried out in waves. “
The expanded regulations will apply to this year’s freshman class.
“It starts this slow mess where we go back to the old SNAP regulations just at a time when, obviously, the lack of food security is increasing,” said Bryce McKibben, senior director of policy and advocacy at Temple University’s Hope Center.
Anecdotal evidence suggests student starvation is expanding because of inflation, said Robb Friedlander, director of advocacy for Swipe Out Hunger, which focuses on the lack of trust in food on college campuses.
The growing awareness of the scale of the challenge has led to the creation of campus pantries at many universities over the past decade. But many of those pantries, which are in addition to elementary colleges, are funded entirely through donations, restricting their duration and scope.
Given the abnormal schedules that mark students’ lives, some pantries on campus have developed 24-hour service models that don’t require constant staffing.
When Sais can’t travel on normal hours, Sacramento’s state pantry allows him to order groceries online and pick them up at a locker. At Georgetown University, the donor-funded pantry is an enclosed room with shelves of food and toiletries and a refrigerator for perishables. All students who apply for assistance get the code to open the door and can necessarily enter and pass as needed.
Now, those pantries are preparing for a new wave of wishes as academics are phased off SNAP lists. In April, Swipe Out Hunger published an article warning universities across the country to prepare for a peak. “Traffic at food banks and pantries is already expanding as states end their emergency SNAP benefits early,” the organization warned.
Even with SNAP’s easy-to-access guidelines, many academics complained about bureaucratic hurdles and general frustration when navigating the system. When Jessilyn Morales, a student at Lehman College in the Bronx, found herself in a sudden currency crisis, it took her months and five rejected programs to qualify for SNAP.
When his dorm room at Lehman College closed last fall, Morales’ housing prices nearly doubled. She survived for months on the campus pantry and the food scraps of her roommates.
“I had to go between paying my rent and being able to buy food for the week,” said Morales, 21. “A lot of my friends didn’t know about my struggle. It’s a bit complicated for them to perceive it, to tell you the truth. “
Sais and Morales, in separate interviews, used the term “survival mode” to describe their realities. But Obergfell of the Association of Public Universities cautioned that the strain of this kind of survival has a side effect: It fuels depression among the express subset of academics seeking complex degrees to break the cycle of generational poverty.
“We want those students to stay and succeed in college,” he said. “Students want their fundamental desires addressed before they can be fully helpful and active in the classroom. “
NEW YORK (AP) — Tony Bennett, the prominent and enduring stylist whose devotion to classic American songs and ability to create new standards like “I Left My Heart In San Francisco” revered a decades-long career that earned him enthusiasts from Frank Sinatra to Lady Gaga, died Friday. He was 96, just two weeks before his birthday.
Keep scrolling to see a collection of images from the life of Tony Bennett.
Publicist Sylvia Weiner showed Bennett’s death to The Associated Press and said he died in his hometown of New York. There is no express cause, but Bennett was diagnosed with Alzheimer’s disease in 2016.
Bennett, the last of the wonderful parlor singers of the mid-twentieth century, has stated that his lifelong ambition was to create “a catalogue of hits rather than hit records”. He has released more than 70 albums, earning him 19 competitive Grammy Awards, all of them two after turning sixty, and has enjoyed the deep and lasting affection of enthusiasts and fellow artists.
Bennett did not tell his own story at the execution; instead, he let the music do the talking: the Gershwins and Cole Porters, Irving Berlin and Jerome Kern. Unlike her friend and mentor Sinatra, he directed a song that personified her. If his song-making and public life didn’t have Sinatra’s greatest drama, Bennett appealed with an undeniable, courteous manner and an exceptionally rich, enduring voice: “A tenor who sings like a baritone,” he said to himself, which made him a master of concerns. singing a ballad or cheering up a rhythmic number.
“I like to entertain the public, turn them into their problems,” he told The Associated Press in 2006. “I think other people . . . They are moved if they hear something sincere and fair and that maybe has a little humor . . . I just like other people to feel smart when I play. “
Bennett has been praised by his peers, but never more significantly than through what Sinatra said in a 1965 Life magazine interview: “For my money, Tony Bennett is the most productive singer in the business. It turns me on when I look at it. It moves me. It’s the singer who makes you sense what the songwriter has in mind, and probably a little more. “
Not only did he survive the rise of rock music, but he endured it so much and so well that he gained new enthusiasts and collaborators, some young enough to be his grandchildren. In 2014, at age 88, Bennett broke his own record as the oldest living artist with an album No. 1 on the Billboard 200 chart for “Cheek to Cheek”, his duet work with Lady Gaga. Three years earlier, she topped the charts with “Duets II,” featuring new stars like Gaga. , Carrie Underwood and Amy Winehouse, on their latest studio recording. His relationship with Winehouse was captured in the Oscar-nominated documentary “Amy,” which showed Bennett patiently encouraging the insecure young singer through a “Body and Soul” functionality.
His most recent album, 2021’s “Love for Sale,” included duets with Lady Gaga on the title track, “Night and Day” and other Porter songs.
For Bennett, one of the few artists to seamlessly transfer from pop to jazz, such collaborations were part of his crusade to spread to new audiences what he called the Great American Songbook.
“No country has given the world such music,” Bennett said in a 2015 interview with Downbeat magazine. “Cole Porter, Irving Berlin, George Gershwin, Jerome Kern.
Ironically, his most notorious contribution came from two strangers, George Cory and Douglass Cross, who in the early ’60s gave Bennett his signature song at a time when his career was slowing. Bennett’s music director, pianist Ralph Sharon, was given sheet music that he kept in a cloth cabinet drawer and forgot about until he packed his bags for an excursion that included a concert in San Francisco.
“Ralph saw sheet music in his blouse drawer. . . and above the pile a song called “I Left My Heart In San Francisco. “Ralph thought it would be a smart curtain for San Francisco,” Bennett said. “We were rehearsing and the bartender at the club in Little Rock, Arkansas, said, ‘If you record this song, I’ll be the first to buy it. ‘”
Released in 1962 as the B-side to the bachelorette “Once Upon a Time,” the ballad considered a popular phenomenon that remained on the charts for more than two years and earned Bennett his first two Grammy Awards, adding the album of the year.
By the early forties, it had supposedly gone out of fashion. But after turning 60, an age when even the most popular artists are content to please their older fans, Bennett and his son and manager, Danny, discovered artistic tactics to market the singer to the MTV generation. He made appearances on “Late Night with David Letterman” and became a featured guest artist on “The Simpsons. “Video Awards, and his own video for “Steppin’ Out With My Baby” from his Grammy-winning Fred Astaire tribute album, ended up on MTV’s modern “Buzz Bin. “
This led to an offer in 1994 to do an episode of “MTV Unplugged” with special guests Elvis Costello and k. d. Lang. The functionality of the night culminated with the album “Tony Bennett: MTV Unplugged”, which won two Grammy Awards, adding Album of the Year.
Bennett would go on to win Grammy Awards for his tributes to singers (“Here’s to the Ladies”), Billie Holiday (“Tony Bennett on Holiday”) and Duke Ellington (“Bennett Sings Ellington — Hot”).
“They’re all industry giants, and all of a sudden they say, ‘You’re the master,'” Bennett told the AP in 2006.
Long linked to San Francisco, Bennett would realize that his true homeland was Astoria, the working-class network of Queens’ New York network, where he grew up during the Great Depression. The singer chose his former network as the site of the best public school of taste for “Fame”, the Frank Sinatra School of the Arts, which he and his third wife, Susan Crow Benedetto, a former teacher, helped discover in 2001.
The school is not far from the birthplace of the man who once was Anthony Dominick Benedetto. His father, an Italian immigrant who encouraged his love of singing, but died when Anthony was 10. Bennett credited his mother, Anna, for teaching him a valuable lesson while looking at his paintings at home, supporting her three children as a seamstress.
“We were very poor,” Bennett said in a 2016 AP interview. “I would see her run and every now and then she would get dressed and throw it on her shoulder and say, ‘Don’t make me paint in a bad dress. I’m going to paint in fancy dresses. “
He studied advertising art in high school, but had to drop out to help his family. The young man was assigned a task as a copier for AP, was driven as a waiter for songs and participated in amateur shows. A World War II foot soldier, he served as librarian for the armed forces network after the war and sang with a large army band in occupied Germany. His first recording was a 1946 air traffic control of the armed forces blues radio “St. James Infirmary”.
Bennett took advantage of the GI Bill to attend the American Theatre Wing, which later became The Actors Studio. His acting categories helped him expand his phraseology and know how to tell a story. He informed him of Bel Canto’s more intimate vocal strategy that helped him and made the expressive diversity of his voice greater. And he took as his center the recommendation of his vocal coach, Miriam Spier.
“She said, please don’t imitate other singers because you’re just one of the choruses you’re imitating, whether it’s Bing Crosthrough or Frank Sinatra and don’t amplify the original sound,” Bennett recalled in the 2006 AP interview. “He said imitate the musicians you love, find out how they express themselves. I was mainly influenced by jazz musicians like (pianist) Art Tatum and (saxophonists) Lester Young and Stan Getz. “
In 1947, Bennett made his first recording, the Gershwins’ popular “Fascinatin’ Rhythm”, for a small label under the name Joe Bari. The following year, he made a call for himself when he broke up with Rosemary Clooney on the radio show “Arthur Godfrey’s Talent Scouts”. and he was so inspired that he offered the young singer a seat to open his performances at the celebrated Paramount Theatre, where teenagers had fainted for Sinatra.
“He had the idea for a while, and then he said, ‘We’ll call you Tony Bennett,'” the singer wrote in his autobiography, “The Good Life,” in 1998.
In 1950, Mitch Miller, head of Columbia Records’ pop singles division, hired Bennett and released the semi-hit bachelor “The Boulevard of Broken Dreams”. Bennett was on the verge of leaving the label in 1951 when he achieved his first No. 1 on the pop charts with “Because of You. “Country song to a foreign pop hit.
Bennett found himself confronting Miller, who pushed him to sing Sinatra-style ballads and quirky songs. But Bennett took credit for the fledgling LP album format, beginning in 1955 with “Cloud 7,” featuring a small jazz combo led by guitarist Chuck Wayne. He also became the first white male singer to record with the Count Basie Orchestra, releasing two albums in 1958. Sinatra would do the same later.
Bennett’s friendship with black musicians and his distaste for the racial prejudice he encountered in the military led him to become an active supporter of the civil rights movement. He answered Harry Belafonte’s call to join Martin Luther King Jr. ‘s Selma for the voting rights march in 1965 and hold for protesters.
Bennett’s early career peaked in the 1960s when he topped the charts with “San Francisco” and became the first male pop soloist to make the Carnegie Hall canopy, releasing a live album from the 1962 concert.
In 1966, he released “The Movie Song Album,” a non-public favorite that included Johnny Mandel’s Oscar-winning song “The Shadow of Your Smile” and “Maybe September,” the epic flop song “The Oscar,” notable for marking Bennett’s first acting role on the big screen.
But as rock continued to overtake classic pop, it clashed with Columbia record label head Clive Davis, who insisted the singer make the 1970 album “Tony Sings the Great Hits of Today,” with songs like “MacArthur Park” and “Little Green Apples. “
Despite the artistic successes, Improv proved to be a currency crisis for Bennett, who also encountered difficulties in his private life. His marriage to artist Patricia Beech collapsed in 1971. Se he married actress Sandra Grant the same year, but that marriage ended in 1984. Without a registration contract, his debts drove him to the point of bankruptcy and the IRS sought to capture his space in Los Angeles. After a near-fatal drug overdose in 1979, he turned to his son, Danny, who eventually signed on as his manager. Bennett gave up his drug addiction and recovered his finances, returned to New York City and continued to do over two hundred exhibitions a year.
He is survived by his wife Susan, daughters Johanna and Antonia, sons Danny and Dae and grandchildren.
Bennett was named an honoree of the Kennedy Center in 2005 and jazz teacher of the National Endowment for the Arts in 2006. He also won two Emmy Awards, for “Tony Bennett Live By Request: A Valentine Special” (1996) and “Tony Bennett: An American Classic” (2007).
In addition to singing, Bennett pursued his lifelong hobby of portraiture by taking art categories and carrying his travel sketchbook. His portraits, signed with his surname Benedetto, adding portraits of his musician friends and landscapes of Central Park, have been exhibited in public and collections, adding the Smithsonian American Art Museum.
“I love portraying as much as I love singing,” Bennett told the AP in 2006. “It’s been a great blessing in my life because if I exhausted myself singing. . . I would move on to my retreatment and it’s a great elevator. . . So I stay in this artistic zone all the time. “
AP national writer Hillel Italy contributed to this report.
Secretary-General Antonio Guterres told the nations of the world last week that the post-Cold War era is over and that the world is heading for a new multipolar era already marked by the point of geopolitical tensions and the great festival of forces in decades.
He warned that such divisions undermine the cornerstone of the United Nations: making sure all countries work together to solve global challenges.
The UN leader has faced a number of demanding situations: more complex and deadly conflicts, resurgent considerations about an imaginable nuclear war, developing inequalities within and between countries, widespread terrorism, the climate emergency, growing distrust of public establishments and human rights under attack globally “including a pernicious backlash opposed to women’s rights. “
The secretary-general said Russia’s invasion of Ukraine in February 2022 made it even harder to address those challenges. Without naming Russia, he obviously criticized it, saying that if each and every country fulfilled its obligations under the UN Charter, which entails respect for the sovereignty and territorial integrity of all nations, “the right to peace would be guaranteed. “
Guterres on Thursday presented his bleak view of the world in a policy paper outlining his “new timetable for peace” to diplomats from all 193 U. N. member states. This is the UN to deal with new threats, he said.
The UN leader underlined the importance of preserving multilateralism, saying: “In our fractured and troubled world, it is incumbent upon states to maintain our universal institution, in which they have a stake. “
“The time to act is when divisions and fractures have engulfed us,” he said. “It’s time to act. “
The original Agfinisha for Peace presented by UN Secretary-General Boutros Boutros Ghali in 1992, after the breakup of the Soviet Union and the end of its Cold War with the United States. He welcomed the end of “hostility and mistrust” between the superpowers and explained how the UN could step up its work on preventive diplomacy, peacekeeping and peacebuilding.
Richard Gowan, UN director for the International Crisis Group, stated that this vision of “an activist and interventionist UN” has been its underlying policy for the past three decades. But he said Guterres’ “New Agenda for Peace” emphasizes that “the driving force of a new multilateralism will have to be diplomacy. “
In an investigation of the new agenda, Gowan said it focuses on what member countries want to do and multilateral cooperation in an increasingly fragmented and unequal world “in which Guterres believes the UN will have to adapt to facilitate foreign cooperation, not aim to lead it. “
One of the key spaces in which this proposed new technique stands out is the secretary-general’s perspectives on the vast UN peacekeeping operations, specifically after the Security Council voted on June 30 to finish its project of more than 15,000 troops in Mali. as demanded by the country’s army junta, which brought mercenaries from Russia’s Wagner Group to help fight an Islamic insurgency.
Guterres told diplomats that while peacekeepers have saved millions of lives, “long-standing unresolved conflicts, triggered by complex national, geopolitical and transnational factors, and a persistent mismatch between mandates and resources, have revealed their limitations. “To put it bluntly, he said, “peacekeeping operations succeed if there is no peace to keep. “
Its proposed peace timetable urges nations to move toward “agile and adaptable” peacekeeping models with exit strategies, and to “peace-enforcement actions through regional and sub-regional organizations,” mandated by the Security Council, paid for through UN member states, and ed through political efforts to promote peace.
“No continent wants this new generation of peacekeeping missions more than Africa,” Guterres said.
The “New Agenda for Peace” is one of many policy documents the Secretary-General urges all countries to present at the Future Summit he convened in September 2024, when the UN hopes to adopt a new vision for the coming years that reflects today’s world that preserves multilateralism.
After Guterres’ presentation, many countries expressed their initial reactions to the proposed agenda, sometimes forcefully by the European Union and others. Egypt said some proposals were too ambitious, while Russia warned it opposed interference in internal affairs, opposed the agenda’s focus on human rights and called its weathering technique controversial.
U. S. FOREIGN RELATIONS
The U. S. -led United Nations Command is releasing an unidentified U. S. soldier who entered North Korea from the South Korean side of a border village.
It is not easily clear what motivated the soldier to usher North Korea into an era of maximum tension, as the speed of the North’s weapons demonstrations and joint education by the U. S. and South Korean military intensified in a-for-tat cycle.
There have been cases of Americans crossing North Korea in recent years, adding a small number of American soldiers. Some of the Americans who crossed were motivated by evangelical zeal or drawn to the mystery of a seriously cloistered police state fueled by anti-American hatred.
Other Americans were later arrested from North Korea as tourists. A tragic case resulted in death.
Here’s a look at Americans who have been detained in North Korea:
Charles Jenkin
Born in Rich Square, North Carolina, Charles Jenkins was one of the few bloodless foot soldiers to flee to North Korea while serving in the South.
Jenkins, then an Army sergeant, left his post in 1965 and fled the demilitarized zone separating the two Koreas. North Korea treated Jenkins as a propaganda asset, featuring him in leaflets and films.
In 1980, Jenkins married 21-year-old Hitomi Soga, a Japanese nursing student who had been kidnapped by North Korean agents in 1978. Soga was allowed to return to Japan in 2002.
In 2004, Jenkins was allowed to leave North Korea and enroll for his wife in Japan, where he surrendered to the US military government and was charged with abandoning his unit and defecting to North Korea. He was dishonorably discharged and sentenced to 25 days in a US Army prison in Japan.
He died in Japan in 2017.
Matthieu Miller
In September 2014, Matthew Miller, then 24 and originally from Bakersfield, California, was sentenced to six years of hard work through North Korea’s Supreme Court for illegally entering the country for the purpose of espionage.
The court said Miller tore up his tourist visa upon arrival at Pyongyang’s airport in April of that year and admitted a “crazy ambition” to revel in the criminal life in North Korea so he could secretly investigate the human rights situation in the country.
North Korea’s initial announcement regarding Miller’s detention that month came as then-President Barack Obama was traveling to South Korea for a state visit.
Miller premiered in November of that year along with some American, Kenneth Bae, missionary and escort.
Kenneth Bae
Bae, a Korean-American missionary from Lynnwood, Washington, arrested in November 2012 while running a tour organization in a North Korean special economic zone.
North Korea sentenced Bae to 15 years in prison for “hostile acts,” adding contraband of incendiary literature and attempting to identify a base for anti-government activities at a hotel in a border town.
Bae returned to the United States in November 2014 following a secret project through then-American James Clapper. Director of National Intelligence who secured Miller’s release.
Jeffrey’s Birds
A month before Bae and Miller’s release, North Korea also released Jeffrey Fowle, an Ohio City worker who was detained for six months for leaving a Bible at a nightclub in the city of Chongjin.
While North Korea officially promises freedom of religion, analysts and defectors describe the country as strictly anti-religious. Distributing Bibles and secret prayers can mean imprisonment or execution, defectors say.
In 2009, American missionary Robert Park entered North Korea with a Bible in hand to draw attention to human rights abuses in North Korea. Park, who was deported from the North in February 2010, said he tortured through authorities.
Otto Warmbier
Otto Warmbier, a 22-year-old student at the University of Virginia, died in June 2017, shortly after being brought home in a vegetative state after 17 months in North Korean captivity.
The North Korean government captured Warmbier from a tour organization in January 2016, convicted him of attempting to borrow a propaganda poster, and sentenced him to 15 years of hard labor.
Without offering a transparent explanation for Warmbier’s brain injuries, North Korea denied allegations through Warmbier’s circle of relatives that he had been tortured and insisted he had been given medical care with “all sincerity. “The North accused the United States of a smear crusade and claimed to be the “biggest victim” of his death.
In 2022, a U. S. federal judgment will be handed down. The U. S. Department of Justice in New York ruled that Warmbier’s parents, Fred and Cindy Warmbier, obtained $240,300 seized from a North Korean bank account.
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