The refectory of the convent of Santa Maria delle Grazie is an integral component of this architectural ensemble, begun in Milan in 1463 and transformed in the late fifteenth century by Bramante. On the north wall is The Last Supper, an unprecedented masterpiece painted between 1495 and 1497 through Leonardo da Vinci, whose paintings bring us into a new era in art history.
Part of an architectural ensemble built in Milan from 1463 and at the end of the fifteenth century by Bramante, the refectory of the convent of Santa Maria degli Graces preserves on its north wall an indisputable masterpiece, The Last Supper, painted between 1495 and 1497 by Leonardo da Vinci, which opened a new era in the history of art.
圣玛丽亚 感恩 修道院 的 餐厅 是 这个 建筑群 不 可 分割 的 组成 部分 ， 它 地处 米兰城 ， 始建于 1463 年 ， 15 世纪 末 意大利 布拉曼特 布拉曼特 对 之 进行 改造 改造 建筑 建筑 的 的 北墙 上 布拉曼特 对 之 了 改造。 建筑 建筑 的 北墙 上 ， 至今 仍然 保存 着 莱昂纳 多 · 达 · 芬奇于于 1495 至 1497 年两 年间 的 无以伦比 的 作 《《《《《《《《《《《《《作 作 作 作 Electric 最后 的 晚餐》。 达 · 芬奇 作品 作品 宣告 了 艺术史 上 一 个 新 的 到来。 作品 作品 宣告 了 艺术史 一 一 新 世纪 的 到来 。。 。。 。。
Я санта-мария-делла-грацие представляет неотъемлемю частьвлетого а3 о3иоиоиомелеcessve et перестроеннного в XV ков. архитектором Браманте. На северной стене находится «Тайная вечеря» – непревзойденный шедевр, созданный в 1495-1497 g. Леонардо да Винчи, чье творчество провозгласило новую эру в истории искусства.
Built in Milos angelesn from 1463 and renovated by Bramante in the late fifteenth century, the architectural ensemble of the convent of Santa Maria delle Grazie houses in the angels the north wall of its refectory a masterpiece unparalleled in the world: the fresco of “The Last Supper”, painted between 1495 and 1497 by Leonardo da Vinci, which opened a new stage in the History of Art.
De refter van het Santa Maria delle Grazie klooster vormt een integraal onderdeel van dit architecte in Milaan. In 1463 is de bouw hiervan gestart en aan het einde van de 15e eeuw werd het bewerkt door Bramante. Laatste Avondmaal’ afgebeeld, geschilderd tussen 1495 in 1497 by Leonardo da Vinci, wiens werk een nieuw tijdperk inluidde in de kunstgeschiedenis. De afbeelding van Da Vinci toant het moment direct nadat Christus zei : “Eén van jullie zal mij verraden”. De 12 apostelen reageerden hier verschillend op en hun bewegingen en uitdrukkingen zijn prachtig uitgebeeld in het werk.
Brief summary
The refectory of the convent of Santa Maria delle Grazie in Milan is an integral component of this architectural ensemble, begun in 1463 and transformed in the late fifteenth century by Bramante. On the north wall is The Last Supper, an unprecedented masterpiece painted between 1495 and 1497 through Leonardo da Vinci, whose paintings bring a new era in art history. The complex, adding the church and convent, built from 1463 by Guiniforte Solari, and then changed significantly at the end of the fifteenth century. through Bramante, one of the masters of the Renaissance. Bramante structurally meshed the church and added gigantic semicircular apses, a magnificent drum-shaped dome surrounded by columns, and an impressive cloister and refectory.
The portrait commissioned in 1495 and finished in 1497. La depiction of Leonardo da Vinci depicts the moment immediately after Christ said, “One of you will betray me. “Leonardo rejected the classical interpretation of the composition and had Jesus in the midst of the Apostles; He also created 4 teams of 3 figures in each aspect of Christ. The 12 apostles reacted in other ways; his movements and expressions are magnificently captured in Leonardo’s portraits. The genius of the artist is especially noticeable in the use of a soft and strong perspective. Unfortunately, Leonardo did not portray fresco but tempera on a two-layer plaster surface that does not absorb paint. As early as 1568, Vasari first reported disorders with this painting technique.
The Last Supper, which Leonardo da Vinci painted in the refectory of the Dominican convent of Santa Maria delle Grazie, is undoubtedly one of the masterpieces of painting in the world. Its exclusive value, which over the centuries has had an immense influence on the box of figurative art, is inseparable from the architectural ensemble in which it was created.
Criterion (i): The Last Supper is an enduring and exclusive artistic work of remarkable universal value.
Criterion (ii): These paintings strongly influenced not only the progression of an iconographic theme, but also the entire progression of the painting. Heydenreich wrote about the “superdimension” of their painted bodies in relation to space. It is one of the first classical paintingsthat focuses on an exact and very brief moment, rather than a long one. After five centuries, the Last Supper is one of the most reproduced and copied paintings, and its creation in 1495-1497 must have marked a new stage in history. of art.
Integrity
The heritage includes all the elements that express its exclusive value, especially the complex of Santa Maria delle Grazie, formed by the church, the convent and the Last Supper painted by Leonardo da Vinci. Despite the damage suffered by the Second World War, the complex has preserved well its original architectural layout and the internal dating between its components, adding the aforementioned fresco. The presence of the Dominican Fathers and the continuity of devout use have contributed to safeguarding the functional integrity of the property. Da Vinci’s portrait presents abundant conservation disorders due to the techniques used to paint it. Assets suffer from environmental pressures and potentially excessive visits, although the latter are controlled by restricting access.
Authenticity
The site was badly destroyed by bombing in 1943, but was subsequently completely restored and renovated. The Last Supper, which miraculously survived the Allied bombings, suffers from other conservation disorders due mainly to Leonardo’s experimental technique, and which have been evident for a long time. lines of paintings of recovery from the eighteenth century to the present day, which testify to the permanent fear for the conservation of this artistic heritage. At the end of the 90s a first recovery of the Last Supper was completed. The significantly deteriorated pictorial layer has restored the hidden colors of the paintings. The church and conventual buildings (e. g. cloisters) have been the subject of uninterrupted recovery paintings since the 1990s, following a unified conservation strategy. underway and has led to new discoveries that increase the price of the property.
Protection and control requirements
The complex and its landscape are lately under the cover of the Italian Law on Cultural Heritage (Legislative Decree N. 42/2004, Codice dei Beni Culturali e del Paesaggio). Any intervention must be subject to express authorization through the local facilities of the Ministry of Cultural Heritage and Animation and Tourism. Additional coverage rules are planned to cater for local traffic and car parking in the nearby public square.
The organization of orientation of the goods is configured through the members of the office of the local ministry. They are directly involved in all facets of goods. The project of the orientation organization is to outline the guidelines, procedures, programming and periodic monitoring implemented to the coverage system. , created specifically for La Cène, and the effective articulation with the conservation and maintenance systems of the entire built complex.
One of the most important and complicated aspects of fresh conservation is similar to the contaminants caused by the large number of visitors. Continuous monitoring is carried out to ensure certain optimal atmospheric conditions within the refectory and therefore the danger posed by air pollutants and maximum assistance. A complicated tracking device ensures that the air composition and degrees of sweetness and humidity remain within set limits. A limited number of visitors are allowed at a time.
The complex is owned by the Italian State and, in 1934, was given in concession to the Dominican Fathers of Santa Maria delle Grazie, who contribute to the daily management of the complex in terms of their residential and devout functions. The Room of the Last Supper is a museum supported through state management.
The control of the assets is carried out through the Ministry of Heritage and Cultural Activities and Tourism through its local offices, which are concerned with the conservation, monitoring and coverage of the goods. Although a proper control plan has not yet been developed, an effective tool to regulate its use and external relations are in place.
Meetings of the Committee
Statutory documents
Decisions of the Committee
More inquiries. . . Consultation 45 (postponed)
44th consultation (2021)
15th Special Session (2021)
43rd consultation (2019)
consultation (2018)
General Assembly
23rd UNESCO General Assembly in Paris (2021)
UNESCO General Assembly Paris (2019)
About World Heritage
The Convention
Text of the Convention
Policy Compendium
Declaration of Principles
Operational guidelines
The emblem
States Parties
Advisory bodies
The Center
Employment
The list
World Heritage List
World Heritage in Danger
New records
Selection criteria
Tentative lists
World Heritage List nominations
Reporting and monitoring
Conservation Status (SOC)
Periodic reports
Questionnaire 2018-2024
Questionnaires 2008-2015
Reactive monitoring
Africa
Arab States
Asia Pacific
Latin America and the Caribbean
Europe and North America
Associations
Becoming a partner
What to do
Our
Activities
All our activities
Voluntary
Group tools
Works
World Heritage Review
Series
Resource Manuals
World Heritage wall map
More publications. . .
Financing
World Heritage Fund
International aid
Suite
Contacts
Site Map
Become a member
Donate now!